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For access to a more detailed search, members of the Early Modern Center can sign in using the username and password given out by the EMC Fellow. This will allow you to search by tags, cataloging number, subject, authors, titles, and more.
Cataloging the EMC Library There are six categories in the EMC library, and each has been assigned its own letter. Within the categories, primary texts are cataloged alphabetically by author, or by title if no author is present. Secondary texts are cataloged alphabetically by author or editor. The numbers assigned to each entry is intended to aid in the location of a text, and to aid in the addition of new volumes to the library. Those texts assigned a Special Collections ID are fragile, rare, or very old, and should only be read in the EMC.
Cataloging Key
B
Texts related to EBBA
P
Primary texts
S
Scholarly (secondary) texts
E
Texts related to EMBTA
SC
Special collections (read in the EMC only!)
F
Films
Book Reviews Access book reviews hosted by the Early Modern Center on our blog, Miscellany .
Faculty Bookshelf
Ken Hiltner, Renaissance Ecology: Imagining Eden in Milton’s England (Pittsburgh, PA: Duquesne University Press, 2007).
Patricia Fumerton, Andrew Griffin, and Carl Stahmer, eds., The Making of a Broadside Ballad (Santa Barbara: EMC Imprint, 2016)
Patricia Fumerton, Cultural Aesthetics: Renaissance Literature and the Practice of Social Ornament (Chicago and London: University of Chicago Press, 1990).
William B. Warner and Deidre Lynch, eds., Cultural Institutions of the Novel (Durham and London: Duke University Press, 1996).
Elizabeth Heckendorn Cook, Epistolary Bodies
Gender and Genre in the Eighteenth-Century Republic of Letters (Palo Alto: Stanford University Press, 1996).
David Marshall, The Surprising Effects of Sympathy: Marivaux, Diderot, Rousseau, and Mary Shelley (Chicago: University of Chicago Press, 1987).
David Marshall, The Frame of Art: Fictions of Aesthetic Experience, 1750-1815 (Baltimore, MD: Johns Hopkins University Press, 2004).
Richard Helgerson, A Sonnet from Carthage: Garcilaso de la Vega and the New Poetry of Sixteenth-Century Europe (Philadelphia: University of Pennsylvania Press, 2007).
Richard Helgerson, Adulterous Alliances: Home, State, and History in Early Modern European Drama and Painting (Chicago and London: University of Chicago Press, 2000).
Mark Rose, Authors and Owners: The Invention of Copyright (Cambridge, MA and London: Harvard University Press, 1993).
Patricia Fumerton and Simon Hunt, eds., Renaissance Culture and the Everyday (Philadelphia: University of Pennsylvania Press, 1997).
Everett Zimmerman, The Boundaries of Fiction: History and the 18th-Century British Novel (Ithaca and London: Cornell University Press, 1996).
William Warner and Clifford Siskin, eds., This Is Enlightenment (Chicago: University of Chicago Press, 2010).
James Kearney, The Incarnate Text: Imagining the Book in Reformation England (Philadelphia: University of Pennsylvania Press, 2008).
Ken Hiltner, Milton and Ecology (Cambridge: Cambridge University Press, 2002).
Richard Helgerson, Forms of Nationhood: The Elizabethan Writing of England (Chicago and London: University of Chicago Press, 1992).
Elizabeth Heckendorn Cook, Laura Auricchio, and Giulia Pacini, eds., Invaluable Trees: Cultures of Nature, 1660-1830 (Oxford: SVEC, 2012).
Patricia Fumerton, Anita Guerrini, and Kris McAbee, eds., Ballads and Broadsides in Britain, 1500-1800 (Surrey: Ashgate, 2009).
Michael O’Connell, The Idolatrous Eye: Iconoclasm and Theater in Early-Modern England (New York and Oxford: Oxford University Press, 2000).
Patricia Fumerton, Unsettled: The Culture of Mobility and the Working Poor in Early Modern England (Chicago and London: University of Chicago Press, 2006).
Ken Hiltner, What Else Is Pastoral?: Renaissance Literature and the Environment (Ithaca and London: Cornell University Press, 2011).
Richard Helgerson, trans., Joachim du Bellay: “The Regrets,” with “The Antiquities of Rome,” Three Latin Elegies, and “The Defense and Enrichment of the French Language.” A Bilingual Edition (Philadelphia: University of Pennsylvania Press, 2006).
Ken Hiltner, ed., Ecocriticism: The Essential Reader (New York: Routledge, 2014).
David Marshall, Forgetting Fathers: Untold Stories from an Orphaned Past (Albany: State University of New York Press, 2015)
William B. Warner, Licensing Entertainment: The Elevation of Novel Reading in Britain (1684-1750) (Berkeley: University of California Press, 1998).
William B. Warner, Protocols of Liberty (Chicago: University of Chicago Press, 2013).
Lee Bliss, The World’s Perspective: John Webster and the Jacobean Drama (New Brunskwck, NJ: Rutgers University Press, 1983).
Lee Bliss, Francis Beaumont (Twayne’s English Authors Series ) (Boston: Twayne Publishers, 1987).
Robert A. Erickson, Mother Midnight: Birth, Sex, and Fate in Eighteenth-Century Fiction (Defoe, Richardson, and Sterne ) (New York: AMS Press Inc., 1986).
Richard Helgerson, Self-Crowned Laureates: Spenser, Jonson, Milton, and the Literary System (Berkeley: University of California Press, 1983).
Ken Hiltner, Stephanie LeMenager, and Tess Shewry, eds., Environmental Criticism for the 21st Century (New York: Routledge, 2011).
David Marshall, The Figure of Theater: Shaftesbury, Defoe, Adam Smith, and George Eliot (New York: Columbia University Press, 1985).
Michael O’Connell, Mirror and Veil: The Historical Dimension of Spenser’s Faerie Queene (Chapel Hill: University of North Carolina Press, 1977).
Michael O’Connell, Robert Burton (Twayne’s English Authors Series ) (Boston: Twayne Publishers, 1986).
Mark Rose, Heroic Love: Studies in Sidney and Shakespeare (Cambridge, MA: Harvard University Press, 1968).
Mark Rose, Shakespearean Design (Cambridge, MA: Harvard University Press, 1972).
Mark Rose, Golding’s Tale: A Story about Raleigh’s Last Voyage (New York: Walker and Company, 1972).
William B. Warner, Reading Clarissa : The Struggles of Interpretation (New Haven and London: Yale University Press, 1979).
William B. Warner, Chance and the Text of Experience: Freud, Nietzsche, and Shakespeare’s Hamlet (Ithaca: Cornell University Press, 1986).
Everett Zimmerman, Defoe and the Novel (Berkeley: University of California Press, 1975).
Everett Zimmerman, Swift’s Narrative Satires: Author and Authority (Ithaca and London: Cornell University Press, 1983).
Click on the link below to browse a list of the books and films on the shelves in the Early Modern Center. Hosted by Libib.
